Beatrice the Golden (
ahaha_wav) wrote in
itsaboxstravaganza2014-11-27 08:29 pm
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Turnabout Chessboard: Chapter 3
[[Previous: Chapter 2 | Next: Final Chapter]]
...The witch's side withdraws from the scene of the Second Twilight. That was a clever trick, but it won't work twice, you see?
I must now prepare for our next skirmish, so there will be another brief recess before the trial resumes.
...The witch's side withdraws from the scene of the Second Twilight. That was a clever trick, but it won't work twice, you see?
I must now prepare for our next skirmish, so there will be another brief recess before the trial resumes.
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[Oh dear.]
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[Right. She's kinda got me there.
Still, Kanon has to be the primary suspect here. After all, he's already been caught manufacturing ONE Twilight. The question is, how could he have pulled this off?]
Could I get a better sense of the layout of the room, for the record?
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The room has one door, one window, one closet and one bed. There is other furniture within the room, but I guarantee the rest was not used in any way that would allow someone to hide, escape, or commit murder. It would be tiring to have to declare that every lamp, end table or shelf wasn't a hiding place for a human culprit.
You already have Rudolf and Gumshoe's descriptions of the door. The window opens up to the second floor, but it might still be possible to escape that way, so I'll add this: The window was locked from the inside.
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When Rudolf opened the door to the VIP room, there were no humans anywhere inside!
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[Hmm...]
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That handprint on the door... isn't there something sort of... contradictory about it?
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You claim that you "cast Kyrie into the abyss." Assuming your claim was true, there wouldn't be much point in inflicting wounds. You could just fling her there whole, and that would be the end of it.
Now let's consider the position of where Kyrie would have been if the Twilight were accurate: She would have been standing at the door, with you inside the room. Assuming she had the rifle, she would have aimed it at you, and shot.
[He mimes the action.]
There's already two problems with this: One, she needs both hands to use the rifle. So why would there be a handprint on the door? But more importantly, if it WERE her blood, then there should be a corresponding handprint on the rifle just by the nature of how you would have to hold it. In other words...
[Desk slam, point.]
That handprint isn't Kyrie's! It's the culprit's!
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It's quite possible that the real scene of the murder happened elsewhere.
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Wait... could it be? There's a red truth that covers one sort of contingency, but not another...]
Mr. Ushiromiya, I need to confirm: Did you actually see Kyrie physically enter the room?
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...?]
Mr. Ushiromiya, can you tell me the exact moment when you heard the gunshot?
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Doesn't Kyrie's actions seem sort of... odd to anybody else? She knows where she's predicted to die, yet she charges straight there. Then immediately upon entering, she shoots. But if she recognized what she needed to fire at that quickly, then why bother closing the door at all?
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What I'm getting at is that the easiest way to derail the witch's prophecy would have been simply to not bother going in the room. But she charged straight there. Her actions are too precise, too contradictory. Either she was just that confident that she was going to resolve the issue herself...
[Deskslam. Point.]
Or she was following a precise set of movements to convince people that she was!
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That's enough, Rudolf!
[And Rudolf is banished back to the game board before he can say any more.]
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